Sarkar Raj (2008)
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When Anita Raja, CEO of Sheppard power plant, brings a power plant proposal to set up in rural Mahrashtra before the Nagres, insightful Shankar is quick to realise the benefits the power plant can bring to the people.
Children of War (2014)
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Children of War is a movie based on the true events of the 1971 Genocide. Can we, in search of power, become animals? A genocide; neglected! The first use of rape as a weapon of war; undocumented! The lives of millions; unaccounted! The culprits; unpunished!
Gunday (2014)
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The lives of Calcutta's most powerful gangsters - Bikram and Bala, changes when Nandita enters it. Then a counter-force takes charge and a thriller unfolds.
Delhi in a Day (2011)
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Jasper has arrived in Delhi to begin a tour of India, where the newness of his surroundings quickly prove overwhelming. As he is drawn into the dynamics of his host family, the Bhatias, he finds that his mere presence has upset the natural order of things. Jasper finds that the first day of his journey is possibly more than he bargained for.
Fever (2016)
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An assassin takes on the identity of a writer to escape the law. He has two mysterious and sensuous women masquerading around him - Rhea and Kaavya. Suspense builds as they both uncover the lie.
Land of the Gods (2016)
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After a long exile, Rahul returns to his village in the Himalayas. It causes commotion amongst the villagers, who have never forgiven him for his sins in the past.
Josef - Born in Grace (2022)
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An adaptation of a short story "Joseph" written by Umakanta Mahapatra and is set in the foothills of the Himalayas between 1960 and 1980 in India. Father O'Hara (Victor Banerjee), a missionary doctor with the help of his caretaker Maularam (Sudarshan Juyal), raises an orphan baby Josef (Hitesh Bisht). While still a young boy, Josef is sent to Dehradun, Uttarakhand, for his studies and vocational training. Josef (Subrat Dutta) returns back with a reputation as a great cook as well as his love for alcohol. The film explores in its unfolding of time, the different paths that Father O'Hara, Josef, and Maularam take in their respective journeys for spiritual fulfillment through memories, duty, and search as well as the their interaction with friends and acquaintances. Through static mis-en-scenes, the narrative of the film reflects the all-encompassing nature of time, pre-empting and repeating itself in allegorical hues.